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Kofar Wanti, Bauchi State

This Week in History:

Queen Amina of Zazzau. The Finctitious Warrior.

Amina of Zaria (1533 1610), commonly known as the warrior queen, expanded the territory of the Hausa people of West Africa to the largest borders in history. More than 400 years later, the legend of her person became the model for a television series about a fictitious warrior princess, called Xena.

Amina was the warrior queen of Zazzau (now Zaria). She was known also as Amina Sarauniya of Zazzau. She lived approximately 200 years prior to the establishment of the Sokoto Caliphate in the nineteenth century.

According to most accounts, Queen Amina ruled for 34 years at the turn of the sixteenth and seventeenth centuries. Her domain of Zazzau, a city-state of Hausaland, was eventually renamed Zaria and is the capital of the present-day emirate Kaduna in Nigeria. Although many details of her life remain largely in dispute among historians, the fact that she existed is a matter of general acceptance, and she is presumed to have been a Hausa ruler. Much of what is known of Queen Amina is based on information related in the Kano Chronicles.

A translation by Muhammed Bello of pre-colonial African tradition based in part on anonymous Hausa writings and details were pulled from the oral traditions of Nigeria. As a result, the memory of Queen Amina assumed legendary proportions in her native Hausaland and beyond. The extent of her military prowess and her performance in battle was augmented by lore and remains unclear.

The reign of Amina occurred at a time when the city-state of Zazzau was situated at the crossroad of three major trade corridors of northern Africa, connecting the region of the Sahara with the remote markets of the southern forest lands and the Western Sudan. It was the rise and fall of the powerful and more dominant Songhai people and the resulting competition for control of trade routes that incited continual warring among the Hausa people and the neighboring settlements during the fifteenth and sixteenth centuries. It was not until later that a ruling arrangement between the Hausa and the Fulani people ultimately brought a lasting peace to the region and survived into the colonial era of the nineteenth century.

HEIR APPARENT

Amina was the twenty-fourth habe, as the rulers of Zazzau were called. She is believed to have been the granddaughter of King Zazzau Nohir. Speculation suggests that she was born sometime during his reign, around 1533. This theory lends credence to the belief that Amina ruled Zazzau at the end of the sixteenth century. The citizens of Hausaland at that time displayed advanced skills in the industrial arts of tanning, weaving and metal working in contrast to the inhabitants of the neighboring territories and surrounding cultures, where agriculture remained the dominant activity. The Hausa social hierarchy, as a result, was boundless rigidly in the social standings of tradition, which were based on hereditary factors.

Amina was born the eldest of three royal siblings; she was 16 years old when her noble parent, the powerful Bakwa of Turunku inherited the throne of Zazzau. Historical accounts of Bakwa, the twenty-second babe of Zazzau, vary as to whether Bakwa was Amina’s father or mother. Although the reign of Bakwa was known for peace and prosperity, the history of the Hausa people was nonetheless characterized by military campaigns for the purpose of increasing commerce. During the years between 1200-1700 Hausaland, was, in fact, fraught with warring parties. These descended into neighboring territories that were inhabited by the Jukun and the Nupe to the south, in an effort to control trade and to expand the Hausa communities into more desirable environs. The Hausa, in turn, were conquered intermittently during those years by various people. The Mali, Fulani, and Bornu were among the aggressors in these clashes. During the reign of Bakwa, the teenaged Amina occupied herself in honing her battle skills, under the guidance of the soldiers of the Zazzau military. Full Article.

Comments on Hausa Galleria Page on Facebook
Aisha Aliyu Garba at 9:15pm May 19: proud 2 be a native

Isah M Abubakar at 11:07pm May 19: multi choose culture n tradinational better lif

Anyanwu Chike Pius at 11:25pm May 19: i am proud to have a hausa foundation.

Muhammad Shamsuddeen at 1:56pm May 20: This's a welkom development. Mun gode

Shehu Rabiu at 5:49pm May 20: ai any body that found he/her self as hausa ,that person should thank mai sama ALLAH.

Hady Dorayi at 9:03pm May 20: She's so cool. legend has it that its not certain wether she would go to heaven or hell. heaven bcos she converted uncountable people to Islam...most of what constitutes northern Nigeria, and we the childrens children by extension r still muslims. and Hell because she kept lovers in every town she conquered. imprisoned them so they could not do any other woman exept herself and when she got tired of them, she will kill them and get herself a new lover. bt i still think shes cool

Hady Dorayi at 9:04pm May 20: hey, she even looks like me!!!

Maryam Jumare at 8:23am May 22: We d Zarians r v v vry proud of her bcz d history of northern nig in particular n d country as a whole cant b complete witwt a mention of her....

Isah Abubakar at 3:29pm May 22: The truly woman actor.......who can be her?

Hadji Abacha at 5:12pm May 22: LOOK INWARD........
 

In the News Today

The story of an up coming Actor: Mustapha Mustapha (Musty). By Aisha Yola.
A lot of people would agree with me that the reigning up coming star amongst the recent upcoming stars in the Hausa movie industry, whom some people consider as a replacement to late Ahmed S. Nuhu.

Mustapha Musty Mustapha and Kubra
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Mustapha Mustapha (Musty) Mustapha Mustapha (Musty) and Kubra Dako  
 
Mustapha Mustapha, the Kano born actor was born in 1979 in Gyadi-Gyadi Quarters, Tarauni Local Government Area, and he holds a Higher National Diploma Certificate as his highest educational qualification.
 
He first appeared in the movie ‘Hawainiya’ and in no time he rose to his peak after being featured in a lot of others like ‘Jahila’ ‘Jani’ ‘ Runduna’ ‘Ma’alufi’ ‘Makafi’ ‘Inuwar Bagaruwa’ ‘”Yar Gagara’ ‘Marwan’ ‘Son Kai’ ‘Zaure’ and lots more, and his talents were displayed in these movies.
 
Though a very good dancer, Mustapha is the shy type, because he hardly raises his head up to face his audience while dancing, even in the movies.
 
Amongst all the movies he has featured into, Mustapha preferred ‘Jahila’ as his best, because it was purposely produced for him as he started.


 


Featured Articles

Media Advocacy: The Representation of Shari'a in Kannywood and Nollywood Films. Shari’a is an Islamic way of life. Literally the word “Shari’a” means water hole (i.e. path) where animals gather daily to drink water (Ado-Kurawa, 2004). Also, according to Elias and Elias (1986) Shari’a simply means “The Law”; whereas in Islamic jurisprudence, Shari’a means “a complete code of faith and practice” (Qadri, 1986:16). By Nasiru Wada

Hausa Arab Culture, Islam and Entertainment: Reviews of Home Video Evolution in Hausaland. It might seem quite surprising to some to hear that Arabic is a mother culture to Hausa, because of the difference in location, language and other peculiarities of the two groups. However, those who have read extensively and comparatively about the two ethnicities will have no doubt of this fact. This origin, together with other striking similarities is the motivational factors of this paper. By Nasiru Wada.

Hausa Home Videos: From General to Particular - A Critical Discourse. Each generation, from time to time in a particular society come with one new culture or another with a purpose of expressing itself, and with a purpose of fashioning itself to the tune of modern challenges. Such kind of culture usually looks alien to so many people of such generation. Sometimes the culture in question may turn to become tradition, particular to such society. The culture may be political, economic or social, however, whatever the case may be, it sometimes becomes a manifestation of one social ill or the other. The purpose may be to address the social ill bedeviling the society, or as a means of over coming one problem or the other. By: Fatihu Mustapher Mohammed

Hausa Home Video Review - Babban Gida. BABBAN GIDA (The Mansion) is an epic tale of power and abuse of privilege not just in the Hausa society, but in any society. It is larger than life. If you were familiar with the peculiarities of Kano, Nigeria, you would easily recognize how this home video seemed to fit into the more bizarre events in Kano during the Governor Rimi era, when the son of one of the richest and most powerful families in Kano murdered his utterly beautiful wife. It lead to a celebrated court case. I can't recall how it ended, but the rich kid did not get away with it. And no, he did not hang, either! BABBAN GIDA is huge, epic, and pure adrenalin, containing the right mix of tension, thrills and action tinged with tense menacing dialog. By Prof. Abdalla Uba Adamu.


Featured Pictures

Emir of Kano, His Royal Highness, Alhaji Dr. Ado Abdullahi Bayero

African Immigrants

 
 
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